Cinema

Directors, films, and movements that echo, adapt, or extend the literary and philosophical traditions mapped elsewhere in the vault.

Directors

  • Andrei Tarkovsky (1932–1986) — Russian poetic cinema; Dostoevsky and Orthodox religion at feature length
  • Ingmar Bergman (1918–2007) — Lutheran despair, Kierkegaard, the Double
  • Stanley Kubrick (1928–1999) — literary adaptation (Thackeray, Burgess, Nabokov), Nietzschean ambition
  • Martin Scorsese (b. 1942) — Dostoevskian urban guilt, Catholic conscience
  • Alfred Hitchcock (1899–1980) — Freudian suspense, the Look, the Double
  • Akira Kurosawa (1910–1998) — Tolstoy, Shakespeare, Dostoevsky on screen
  • Krzysztof Kieślowski (1941–1996) — applied Kantian ethics, the Decalogue
  • David Lynch (1946–2025) — the Freudian unconscious as cinematic grammar
  • Yorgos Lanthimos (b. 1973) — Greek Weird Wave; Kafka-meets-Swift absurdism as system design
  • Denis Villeneuve (b. 1967) — Tarkovsky’s philosophical patience scaled to blockbuster budgets

Films

1950s

1960s

1970s

2010s

  • The Lobster (Lanthimos, 2015) — romantic coupledom as totalitarian procedure; the psychological bunker

2020s

  • Dune (Villeneuve, 2021) + Dune: Part Two (Villeneuve, 2024) — anti-messianic philosophical epic; colonialism, ecology, prescience

2020s — Television

  • Silo (Yost, Apple TV+, 2023–) — bunker dystopia, adapted from Hugh Howey’s Wool / Shift / Dust
  • Fallout (Nolan/Joy/Wagner/Robertson-Dworet, Amazon, 2024–) — corporate post-apocalypse; the parallel bunker series

Movements

3 items under this folder.